CREATIVE

Giotto’s paintings on the contrary, have not only as much power of appealing to the tactile imagination as is possessed by the objects represented

RESPONSIVE

We whose current knowledge of anatomy is greater, who expect more articulation and suppleness in the human figure, who, in short, see much less

MINIMAL

At the risk of seeming to wander off into the boundless domain of æsthetics, we must stop at this point for a moment to make sure that we are of one mind regarding

Parallax Section

Orcagna is difficult to speak as only a single fairly intact painting remains the altar-piece in Maria Novella

HAPPY CLIENTS

Different as these two were from each other, they have this much in common, that in their works which remain to us, dating, it is true, from their years of maturity, there is no touch of mediæval sentiment